Hollows: Researching Preston

University of Central Lancashire Special Collections

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Introduction

The Uni­ver­si­ty of Cen­tral Lan­cashire’s Spe­cial Col­lec­tions con­tain a large num­ber of books, doc­u­ments, and his­tor­i­cal resources of both nation­al and inter­na­tion­al impor­tance. For exam­ple, the Livesey Col­lec­tion forms an inter­na­tion­al­ly sig­nif­i­cant resource for the study of the Tem­per­ance Move­ment, while the Jere­mi­ah Hor­rocks Obser­va­to­ry archive con­sists of records and papers from the Jere­mi­ah Hor­rocks Obser­va­to­ry on Moor Park in Pre­ston. The Wain­wright Col­lec­tion, donat­ed to the Uni­ver­si­ty by the Wain­wright Con­ser­v­a­tive Club in Black­pool, com­pris­es large­ly late Vic­to­ri­an texts cov­er­ing a range of top­ics relat­ed to British and Irish polit­i­cal his­to­ry. The col­lec­tions have recent­ly found a new home on the Pre­ston campus. 

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Victoria Lucas

Imprints

Fol­low­ing a day in Lan­cashire Archives and a site vis­it to Meg Shel­ton’s grave, the Heavy Water Col­lec­tive vis­it­ed the Spe­cial Col­lec­tions at the Uni­ver­si­ty of Cen­tral Lan­cashire. Margery Hilton’s ver­ti­cal grave, marked by the gran­ite boul­der, remained at the fore­front of my mind dur­ing my engage­ments, and I began to notice shapes and pat­terns in the imagery I encoun­tered. Draw­ings of the 1927 eclipse found in the John Hor­rocks Obser­va­to­ry col­lec­tion became a hole in the ground. Archi­tec­tur­al fea­tures, illus­trat­ed fig­ures, alchemic ves­sels and comets trans­formed in to visu­al­i­sa­tions of the rock, the absence of earth in the ground and the body that filled it. I began to col­lect these shapes, look­ing back at a series of slides I encoun­tered in the Lan­cashire Archives too and gath­er­ing more exam­ples. These images have been devel­oped in to a series of prints and have informed the devel­op­ment of some sculp­tures in the stu­dio. All the works are includ­ed in the Hanover Project exhibition. 

Maud Haya-Baviera

Fol­low­ing up on the research I con­duct­ed at Lan­cashire Archives, I con­tin­ued to focus on health reme­dies. This inquiry came at a time of height­ened tur­bu­lence in the world we live in. Sym­bol­i­cal­ly, I want­ed to find a recipe that would heal all pains and rem­e­dy wrong­do­ings. I found a recipe for for­ev­er youth, but sad­ly, the mate­ri­als I uncov­ered spoke more about inequal­i­ties, exploita­tion and sub­ju­ga­tion than on beau­ty and health. This put to the fore­front the fact that tumult and dis­or­der have long been part of the ways humans engage with the world, and that some of our cur­rent sor­rows are unhealed wound of our past.

At the Uni­ver­si­ty of Cen­tral Lan­cashire Spe­cial Col­lec­tions, I research archival mate­ri­als relat­ed to the 18th and 19th cen­turies’ phar­ma­ceu­ti­cal recipes and home eco­nom­ics guide­books of the same peri­od. As observed in Lan­cashire Archives, at that time, med­i­cine becomes a more for­mal activ­i­ty and a reg­u­lat­ed pro­fes­sion. This is con­comi­tant with a struc­tur­al era­sure of women from prac­tices relat­ed to the man­age­ment of health. While med­i­cine becomes men-led, a greater amount of lit­er­a­ture impart­ing women with moral prin­ci­ples is being pub­lished. Soon after this, domes­tic sci­ences emerge, anchor­ing women fur­ther away from activ­i­ties and work they once were at the cen­tre of, such as farm­ing, trad­ing and heal­ing, to only name a few.

Anoth­er per­plex­ing phe­nom­e­non observed through­out med­ical recipes is the inclu­sion ingre­di­ents derived from non-native species, which was ren­dered pos­si­ble by the British Colo­nial Trade. This high­lights anoth­er form of inequal­i­ty and flawed pow­er dynam­ic. The pres­ence in phar­ma­ceu­ti­cal books of car­da­mon, gin­ger, cur­cuma and oth­er spices is a reminder of the British Empire’s mer­can­tilist and con­trolled trade, which was deeply root­ed in pri­ori­tis­ing nation­al wealth through the cre­ation of eco­nom­ic dis­par­i­ties. These exploita­tive prac­tices laid the foun­da­tions for glob­al cap­i­tal­ism, influ­enc­ing pat­terns of trade that per­sist today.

Joanna Whittle

XXIV

DENIÉCOURT CHÂTEAU, ESTRÉES

The site of the Château is marked by the large heap of ruins near the centre of the drawing. It was used for head-quarters by Germans, French and British in succession. In the space on the left of the Château are some German soldiers' graves. Fastened to a tree on the right is the notice "Do not loiter here," which is often seen in places exposed to shell fire.

The drag­on and the desert

Give way to the gar­den and the lake. 

We have seen the drag­on laid low 

But the desert is still with us. 

There are ruins everywhere,

Sham­bles where once were homes,

And des­o­la­tion in place of civilization. 

The squads of gravediggers

In man’s des­o­lat­ed world

The debris at our doors.

I

DESERTS

In France the war has made sev­er­al kinds of desert, each with a qual­i­ty of its own, derived from the way in which it was made. Ver­dun I have not seen. Of the oth­er deserts the first in date was

that of the Somme bat­tle­field. In ear­li­er parts of the West­ern Front” it has been drawn, in sam­ple, sev­er­al times. It spreads so far that, in bulk, it can only be seen from the air. It is the most even­ly fin­ished of all these made deserts. From the Ancre to the San­terre you pass through dif­fer­ent kinds of land­scape. There are lit­tle hills, riv­er mead­ows, and a high grain-bear­ing flat. Over them all there was laid in 1916 a kind of spot­ted brown coun­ter­pane or mask which makes them all look alike. The spots on this cloth are dense along its mid­dle and grow less dense towards its fringe all round. To an eye that knew the coun­try well before the war, it must seem now as if the vil­lages, with all their dif­fer­ences of look, and the var­i­ous greens or yel­lows of the old crops, must sure­ly be hid­den under this spot­ted cov­er­let. But real­ly they are not there, and the brown is that of bare and raw earth, and the spots are shell-holes.” Muir­head Bone GHQ, France, 1917 

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