The seductive nature of my images and objects is positioned as a lure to generate discussions, while putting to the forefront historical facts or scientific endeavour often ignored as well as problematic remembrances of the past. For me, the juxtaposition of diverse forms and materials is a critical poetic gesture, a method which opens conversations and makes it possible to attempt to take a position towards the real by modifying and rearranging the respective positions of discourses, objects and images.